santa fe/new mexico
I hobble into Dr. Joe’s office on Robocop crutches and sit on his sofa on a fuzzy white faux sheepskin pillow, stretch my ankle-booted left leg out in front of me and settle back. He sits across from me in a lazy boy chair, a white legal pad and pen on the arm. He’s wearing a navy blue printed button down shirt and a red tie and navy khakis. He has a shock of white hair but seems younger with blue eyes that seem to peer through metalic designer frames with a sense of humor into my confessions.
My weekly sessions with a psychiatrist are to find ways to bring as many resources as I can muster to fight this bacterial infection in my bone. Supporting the post-surgical care, twice daily IV two-hour doses of pharmaceuticals and weekly labs, I want positive thinking, visualization, and prayer: whatever it takes.
Dr. Joe asks me if I meditate. I tell him about Gaia and the Insight Timer App I plug into at night trying to sleep. We explore ways to meet my insomnia and the anxiety that washes over me when I wake in the night from dream sleep. CBD oil, Melatonin, L-ethylene maybe. He asks if I’ve worked with contemplative meditation and introduces me in his soft spoken but direct way to Lectio Divina or “Divine Reading.” Lectio Divina is a traditional Christian monastic practice of scriptual reading, mediation and prayer intended to promote communion with God and to increase the knowledge of God’s Word.
I imagine medieval monks with tonsure in rough, rope-belted robes and leather sandals bending over illuminated manuscripts in their monasteries. In this twenty-first century, I turn not to the Bible but to a beautiful hardbound text of Rumi’s poems: The Illuminated Rumi, a text Ann Raabe gave me years ago with the inscription, “May we celebrate together, forever, the divine & magical.” Coleman Bark’s divinely witty translations are illustrated by Michael Green’s unapologetic cultural appropriations: the dome of a Persian temple, ancient Japanese scrolls, Native American figures, Greek sculpture, Tibetan mandalas, Medieval art, Buddhist iconography.
Rumi, born in Afghanistan in the thirteenth century, wrote Eastern-Islamic poetry, calling his spiritual teachings “the roots of the roots of the roots of the (Islamic) religion.” Though some consider Rumi’s Persian-language holy scripture, Willian Kilpatrick in Christianity, Islam, and Atheism: The Struggle for the Soul of the West notes that others believe Rumi’s followers’ rituals of music and dance are “un-Islamic.” In a similar vein, Bark’s “new age” texts have been criticized as divorcing Rumi’s mysticism from its historical background.
Divorcing myself from historical tradition, I bring the four steps of Lectio Divina–reading, meditation, prayer and contemplation—to the new age paragraphs of a non-Islamic poet in a secular exploration towards insight and meaning. I begin with four contemporary questions from a contemplative website: 1) what does the text say? 2) What does the text say to me? 3) What do I want to say to the Divine about the text? 4) What difference will this text make in my life?
I transcribe the poem in my journal and sit quietly and allow my mind to wander. From the internet, I unabashedly download images—from Pixabay and Pexel with Creative Commons Licenses CC0 and one pirated .gif. I explore the multiple layering of images on five simultaneous video tracks in my movie-making software. With each technical adjustment, an intuitive understanding of the poem begins to emerge. As I fuss with the timing and the overlays of sourced images, translated text,and found music, possible meanings are revealed.
Click here to view the digital poem eon 2020